Guillem Ramos-Poquí

Paintings 2002 > > Labyrinth of Mirrors > Enclosed Gardens  > City Invasion

City Invasion
Paintings 2002 Cont.

"Time Machine" by G. Ramos-Poquí 2002

Time Machine
Tempera on board. 45 x 35 cm



Urban Safari
Tempera on board. 19.5 x 50 cm

Insect Collector by G. Ramos-Poquí 2002

Insect Collector
Tempera on board. 19.5 x 50 cm

A Fusion of Horizons
Tempera on board. 19.5 x 50 cm

"One Dimensional Man" by G. Ramos-Poquí 2002

One-Dimensional Man (see text at the end of this page)
Tempera on board. 22 x 55 cm

"Atac - Action to Transform Art and Culture" by G. Ramos-Poquí 2002

Atac - Action to Transform Art and Culture
(with portratis of K. Mannheim, J. Habermas, H. Marcuse and J. Dewey)
Tempera on board. 21 x 50 cm

"Prediction" by G. Ramos-Poquí 2002

Prediction
Tempera on board. 20 x 50 cm

The Interpreter by G. Ramos-Poquí 2002

The Interpreter
Tempera on board. 19.5 x 50 cm

Unforgiving Minute
Tempera on board. 19.5 x 50 cm
Collection Eliseu Climent, Valencia, Spain

Guillem Ramos-Poquí in his London Studio with some of the " A Labyrinth of Mirrors" Paintings , 2002

Guillem Ramos-Poquí painting in his studio. London 2002

* * *

"One Dimensional Man" (1964) is the title of a book by Herbert Marcuse (b. 1898-d. 1979). Marcuse was a member of the Frankfurt School of Critical Theory
The following are two short e
xtracts from Douglas Keller:
"From 1984 to One-Dimensional Man: Critical Reflections on Orwell and Marcuse"

"In Marcuse analysis, public and corporate officials, and the mass media, utilize a "one-dimensional language" to smooth over social contradictions and problems, and thus restrict thought and public discourse to the terms and interests of the established society" ... "Throughout One-dimensional Man and his other writings, Marcuse contrast one-dimensional with dialectic thought, resistance and refusal with conformity and submission, and projections of a freer and happier social order with the present one". (see full text by D. Keeler on the > web)

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